It appears that my brain functions in a way that leads me to obsess over certain things and turn them into addictions. As a solution, I have decided to embark on a fresh 100-day project. This time, after experiencing several unsuccessful attempts over the past 7 years, I am challenging myself to produce a brief animation utilizing Houdini and Redshift on a daily basis. I am not striving for anything elaborate or excessive, but rather aiming to improve through repeated practice.

And after 100 days, introducing “hallhoucinations”: A Journey of 100 Abstract Animations in 100 Days

Dive into a mesmerizing world of abstract imagery and animations brought to life through the dynamic combination of Houdini and the powerful Redshift render engine. “hallhoucinations” is a visionary project that pushes the boundaries of creativity and showcases the immense potential of these cutting-edge tools.

Prepare to be transported into a world where imagination knows no bounds, where abstract forms dance and morph, and where visual hallucinations become vivid reality. Welcome to “hallhoucinations.”

Below you can click on the static images to reveal the corresponding video.

The work of Google’s security teams mostly happens behind closed doors — whether that be intercepting government backed cyber attacks, or taking on the job of hacking Google to strengthen our defenses. But today, we’re taking you behind the scenes with HACKING GOOGLE, a new six-part docuseries featuring the elite security teams that keep more people safe online than anyone else in the world.

Watch the full series on youtube.

EP000: Operation Aurora

EP001: Threat Analysis Group

EP002: Detection and Response

EP003: Red Team

EP004: Bug Hunters

EP005: Project Zero

starting.

In March 2020, the whole world stopped. We locked ourselves in our homes and tried to keep ourselves and our loved ones safe.
We had many worries and difficult moments. As parents, we also experienced a new relationship with our children. We feared for their health, not knowing that they were the ones keeping us alive and safe.
Sophie Lewis wrote a wonderful poem about this feeling.
She approached me and asked if I would be interested in making a film out of it.
Pierre Buttin was our first choice of illustrator to work with. He created a wonderful set of characters and monsters as well as a complete storyboard.

crafting.

Nicola Destefanis began developing the look of the characters and the entire film. We speculated about using a Risograph look, but struggled to make sense of it. The bold lines and simple shapes seemed stronger to us.
He modeled and rigged the 3D characters and also started blocking some of the animation.

hitting a wall.

After the initial quick push, we hit a wall, when we had our first full film done, with rough animations. The film resulted ubiquitous and not clear in the delivery. Most and foremost, the whole world was changing and as much the virus was evolving during the pandemic, the relationships between us in the same drastic ways. A surge of no vax, no mask, no lockdown movement proved to be the real enemy in what we were trying to say.
We had to rethink and be clearer in our narrative and of course in the visuals as well.

a new script.

As we had less and less time to work on this project, and fewer and fewer people involved, we often thought of abandoning it altogether. Our lives had already been overtaken by a second wave and some health problems were the cherry on top of the cake we had baked ourselves.
But with a new script and a new, probably simpler visual approach using both 3D and 2D techniques to tell this complex but important story, we felt like we were back on track. We had to “just do it.”
It took us another 9 months to get to a good stage.

delivering.

With a third revision of the script, which began at the start of the pandemic crisis, we wanted this film to be set in the moment of delivery. We wanted to talk about how it’s okay to be afraid of the uncertain times and how the ones we are supposed to be protecting are the ones keeping us moving forward, keeping us sane and strong.
For the past 9 months I have been working on the 3D alone, trying to salvage as much as I can from the beautiful animations Nicola Destefanis made in April 2020. I have learned the hard way how to work in Adobe Animate and create frame by frame hand drawn animations. These are certainly not perfect, but I liked the overall rough look of them. And how they integrated with the 3D.
A faint texture added a little something extra to it.

The music is Gaia by Marcus Grimm, courtesy by La Valigetta.

credits.

• Gasta, 3d animations and 2d animations, direction
• Sophie Lewis, script, voice over
• Pierre Buttin, illustrations
• Nicola Destefanis, 3d characters model, rig and animations
• Rebecca Smith, sound design (Platform Post)
• Marcus Grimm, music composer
• La Valigetta, music label

press.

Featured on Wired Italia.
Featured on Art Tribune.